alden tyrell hooked up with mike dunn for some new work!. a golden combination which already worked out great as we learned from the heavy remix tyrell did for the murphy jax & mike dunn collaboration (its the music - cat# cjfd06). tyrell always jamming and playing around with his synths had some tracks inspired by early mike dunn songs. so the obvious happened ... the hooked up for some appropiate vocals and here it is ... touch the sky! a peak time acid monster with mikes vocal chant in the style of his classic md3 projects. gerd is on remix duty here and delivers a killer remix with a more traditional chicago groove and build up. clone head honcho serge had some studio time with tyrell for a dub mix. the serge & tyrell dub mix turned out a bit wild and became a classic piece of piano and dx bass driven chicago house music with stuttering vocal samples and a acidic synth line. another strong clone jack for daze!

played and supported by luke slater, dvs1, laurent garnier, adam x, marcel fengler, samuli kemppi, inigo kennedy, jeroen search, truncate and more. asr is a record label with a strong inspiration in cosmology, physics and science fiction. with one foot in detroit and one in birmingham, asr is getting the techno in its original form beyond fads. we are believers in the true conception of electronic music as artistic expression and as message. our first release is also the first volume of the series vla, named in honor of the radio telescopes system in the very large array of new mexico (usa). radio transmission true to the sound of detroit and influenced by idm and the birmingham scene, radio trasmission presents a crude and analog sound, sometimes simple and sometimes twisted, synthesizing unconventional elements of the dancefloor with complex sounds and structures. the first track,grote reber, works around the omnipresent tr909 and the classic dx100 solid bass sound, building a powerful and effective track. in interferometry, a heavy and deep sub bass, leads the track around dub and post industrial ways. cyg x-1, is the only track that isnt 4x4, with noisy and punchy stabs all around, this works perfectly late in the night and in more uncommon sessions. the last track,vla is more melodic and relaxed. it is the perfect end for the whole record.

on the eps selected tracks, deniz, along with hotly tipped producers tanner ross, san franciscos pillow talk and the young brown university graduates voices of black, deliver an array of moods and sounds - from sensually sublime album opener >i knew this would happen< in a special extended version to the jazz infused the beat drops, full of deep atmosphere and heavy bass groove and animated 80s funk of >thunder clap<.

the legendary retro-vert returns! the series of free, in aid of charity and annual boat parties (co-run by ben sims) is back and now adds a record label to its mission. with its focus on authentic acid house, electro, disco and rave, its the latter that launches the imprint with 3 huge 1991 style uk hardcore tinged techno cuts for the real party djs out there, all lovingly recorded by the mysterious barrow boy.
comes handstamped on transparent red vinyl

brilliant groovin / deep / detroit house 4 track vinyl

in the beginning god created the bass drum. he made it beat 8.601 days. then he left it away. god said: death is the greatest work of art. and its expensive. finally infinite. thats politics and science and art. the art of omission. the art of refusal. death is absolute. the bass drum is absolute. do you want the absolute bass drum? if you manage to convince him, god will be happy to lend you his axe, because what happens is what he wants. just like the people. they want it to happen, too. the most expensive work of art in the world is a skull encrusted with 8.601 diamonds.

with >real face<, we are already giving you the second release of rico henschel aka sweet n candy on our deep circus label. the berlin resident by choice presents his newest work with the title song >real face< and >movement< - two deep, groovy summer tracks, completed with spherical elements that make this sound perfect for the upcoming open air season.
the french producer fred siera adds a remix of >real face<, which is a real bomb! the clearly defined bass sounds will have a mighty push on any dancefloor, still the remix feels really smooth because of the rest of the arrangement, making this track overall even more enjoyable. let the summer begin!

fresh new label project by venetian disco head bottin who needs no further introduction! after releases on eskimo, italians do it better, bear funk etc he has now decided to run his own business and press this new production on this psychedelic-looking piece of orange plastic. lust is definitely a hard throbbing and sweaty space disco house track with a hint of deranged prog madness. layers and layers of synths and bass lines build up in a long enthralling foreplay until heavy disco beats violently kick in, finally add spicy disco stabs and you have got yourself an incendiary tool sure to set things on fire. dont sleep on this one! crazy black plattered, orange glowing vinyl.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. its loosely connected to sleazy mcqueen and his assorted cohorts. whiskey disco no.13, ruff n stuff, can hardly be contained on a single plate of wax. all four tracks have been tested and audience approved! on the a, deep&discos rework of i wanna dance with somebody and alkalinos ruff n stuff are both stripped back and bass laden grooves. the b has two mid-tempo grooves from newcomer, debonair and portuguese duo, johnwaynes.

after revealing themselves as ollie and if music owner jean-claude of amalgamation of soundz fame, london based dub and bass duo cessa return with another 12 inch on their missing link sounds imprint. on vocal duty is jamiacan-born mozez, who is best known as the singer of the british downtempo group zero 7.

the winter is cold but the sun warms the days. keymono-music has built a new release for the spring. with the start of the season felix bernhardt serves us a technoid temperatured cocktail against tiredness of spring. ice-cold and minimal is side a going on to the point. stylistically essentialised reduced, even with stomping and rolling bass, >the driving machine< and >ratter chatter< are shaking the last icicle out of us. because of the houseline rekardo rivalos remix on side b you can feel the change of the temperature and you can see eventually the rise of this years summer already on the horizon... supported and played by: richie hawtin, slam, claude vonstroke, paco osuna, rene bourgeois, kiko martinez, boenig & ochs and many more..

owain k from wales is starting his new deeper techno and hi-tech soul project ktrl on 200 records. title track a1 >colonius< brings together brash filtered rhythms, towering chords, haunting melodies and pumping bass - a jam of epic proportions. followed by the smooth chords of >aufstieg< on a2, this deeply soul fuelled ride sweeps you to the next level. inspired by the classic sounds of lil louis, flipside b1 >bützchen< pays homage to a true school master with its warm embrace and layered melodies. finishing off in style, the old school vibes of b2 >offen< makes way for a slow bass driven groove that builds through dub influenced synth washes and filtered sweeps

a medley of immortally, electrifying, sonic gems assembled to manipulate time and secure a permanent space in your record box. drivetrains this toxic tempest starts the clock with a classic detroit-tronic wave of pads and beats accompanied by the unconscious spoken word of poet/vocalist goddess stephanie. cloudmasterweeds love showcases impassioned vocal samples atop a thunderous bass with keyboard melodies sprinkled throughout in abysmal syncopation. j garcias fireside warm-up is finely tuned deepness with no compromise to the dance floor. an apprentice to the masters of authentic detroit electronic soul, garcia has come of age. with their debut release, the dual jay ramsey and jennifer xerri comprise in2itive motion. subliminal is a smooth expedition through the deep channels of audio seduction. time stands still as rumbling subs cut through rich chords.

elevation limited returns with a set of remixes of zoe xenias 2011 elevation hit >i know you can<. zoe stands out among the glut of house music producers due to the fact that she is a songstress as well as an accomplished producer on labels like suara and d julzs bass culture imprint, connaisseur, microzoo and plastic city. the sultry vocals of >i know you can< get the rework treatment from darran nugent and pavel lenchenko (mood music) and werner niedermeier (off, compost, kling klong and safari numerique). zoe also reworks it on her love shack rendition and strips it down into a pure dancefloor groover. coverart by: emiliocaccaman (ita)

a freshly minted london label, clueplants mission is to push twisted, imaginative techno with a raw analogue energy and a futuristic approach to sound design.the first release showcases a balance of two distinctly individual and intoxicating tunes which have seen enthusiastic reception on the dancefloor and radio while doing the rounds as dubplates. the a side hosts a powerful chunk of modern techno energetically played live and is the first release from london producer 12&bit, a perverse hardware purist whose vinyl and live sets have thumped out at teknivals aross europe and seen over 2 million downloads of his played-live techno through the open-source audio globular music library. on the b side the perversity is taken a step further by the infamous bulgarian electro deviant, manasyt. following 11 years of quality vinyl output on prolific labels such as kommando 6, touchin bass and bunker, the balaclava-clad nomad manasyt has set up his studio in the techno capitals of the world, berlin, london and detroit, and is now in china pumping out his trademark brutal and forward-thinking industrial techno for clueplant

jason mouse is a veteran electronic music producer currently based in san francisco.he is regarded as one of the pioneers of drum n bass in the us and was initially signed to londonbased dubshack records. as a well respected bay area musician he was an active member of the phunckateck collective and released his productions in classic labels such as green label and sm:)e communications. he continues to collaborate with local prominent figures such as ufo! with whom he coauthored the late 2011 release comfort kills on subdepth records. as an artist up to speed with electronic music development and a vast experience jason mouse delivers his new release on la flaca recordings at slower tempo, invading 4x4 territory with evolving melodies, diverse textures, and drawing parallels from techno and house with a drum n bass aesthetic.

this is part two of senseless records synesthesia series, celebrating their 5th birthday. limited edition vinyl with a hand printed sleeve and art poster insert.
mak & pastemans contribution is a high tech bass bomb built around a carefully chosen sample that devastates right from the start.
elsewhere you will find nkc, who matches up ballroom house attitude with a huge siren-like bassline and a stuttering 4×4 beat and jtrp, who build rattling percussion around their signature tech-atmosphere into a deadly drop that comes out of nowhere. artwork comes from brighton based katie scott.
artwork comes from brighton based katie scott who is arresting and varied work is intricate and detailed, balancing technical ability with a wild creative streak.

this is the debut vinyl release from up & coming producer jim morton. the 12 inch presents two different flavours of the jungle sound. the a side is nyc-dub, a heavy duty track with plenty of pace and energy. an atmospheric vibe is present but the production still carries enough weight with the beats and sub to work the dance floor. think ray keith meets breakage!
on side b, >underwater chord< is again a jungle bass tune but on a different vibe. it is a brighter sounding track, due to the chords and sounds used, which wouldnt be out of place in a liquid style production. with both tracks there is a tip of the cap towards the old skool sound.

the first release from nm black is ganja man, ganja woman, produced by nm’s new signing killa mosquito, a production collective fresh on the scene fronted by curtis lynch. in keeping with the necessary mayhem tradition, the bass is at its maximum and the drums are even heavier. this bass-heavy track features vocals from international reggae star, mr williamz, as well as a host of samples from old-school reggae soundtapes. on side b of the release, there is an exclusive dub from killa mosquito entitled ganja dub. less vocals, more bass!
already getting love from mainstream radio djs, such as rinse fms crises, this track, and label, is set to be massive.

flight facilities are first up with their personal extended mix, germanys david august, the 20 year wiz kid whos just be inducted into cult hamburg label diynamic, enters with a pitch shifted druggy flip on the original. danny daze is the man behind the huuuge hot creation anthem -your everything- and has gone crazy with his glitched out aphex twin-esk 5am mix while uk duo mam (matt hughes and miguel campbell) bring it back with a chunky bass and rhodes summer anthem.

jay west from argentina has been releasing quality deep house (the real sort that is) for the past decade, last years smile ep on bebr got some serious playlist and chart action from everybody who knows their shit, and were please to welcome him to the moodmusic family. the ep starts with blame the music, the sort of feel-good house music we used to get loads of in the early to mid 90s from the big apple. swinging beats, almost disco bass and a sunshine filled vocal are the ingredients for a tune, and jay has delivered one. this will probably not be belted by the kids house community, but real heads knows what to do with this weapon. down continues the journey with victor simonelli style keys and a bouncy bassline, making place for the low-slung in & out tune which have some serious west coast mushroom influences. we love it! to end the ep the catchy little mean machine finally brings the smile to your face.

with the beautiful melodic sensibility of borais synth lines meshing with octobers jacking body beats, they fuse to create 2 sublime slices of warm, deep, but propulsive blends of slo-mo house, techno, & bass. >i didnt mean to< has a detroit techno soul feel with bukem style bass stabs and rainforest jungle ambient noises, whilst >palmarosa< is a sure-fire set starter, taking its time to build with cavernous bass stabs adding drama until the heads down jacking ensues.

das sollen still flyin sein? das soll diese band sein, die damals auf ihrem debüt die indie-welt mit einem charmant-kruden mix aus pavement, rocksteady und new romantic verwirrte? das klingt ja wie scritti politti! oder prefab sprout. oder frühe tears for fears... und der bass? der klingt wie new order! wow! seit der ersten zoot woman, nein, dem les rhythmes digitales-album >darkdancer< haben wir kein album mehr gehört, das dermaßen 80er-retro und jetzt! zur gleichen zeit ist.
inklusive cd-version des albums.

horch, horch der storch, im nebel taucht er auf und macht seinen lauf,stakst durch weites feld, den sommer im visier und laesst vier feinstestuecke hier. vom mischtonmeister marcus sur holte er diese werke hervor , drei orginale alla couleur und ein remix von mollono.bass warten nun auf gehör.

our first release of 2012 has seattle veteran 214 merging his classic electro style with current uk bass flavours to create a tantalising 4 track ep to wreck dancefloors and is already receiving support from boddika,girl unit,addison groove,bok bok,braiden,dexter,patrick pulsinger,speedy j and appleblim.

supported by:jamie jones, benoit&sergio, ellen allien, groove armada, maya jane coles, catz n dogz, ben westbeech, sinden, dop, till von sein, deetron, marcin czubala, t.williams and others your mamas friend is back again to tempt us with the forbidden fruit of sleazy beats and warm rounded baselines. to date its been a fully polish affair, with viadrina and chmara winter joining label boss marcin czubala in providing the goods. today its another debutant, but this time were leaving the labels homeland as we head to the uk to meet a star on the rise, resketch.ste burnetts diverse musical range in both his dj sets and productions,find him falling somewhere within the swampy bass realm of house, garage and disco. his own productions have been described as having a unique and infectious energy thats driven by a bouncing sub-bass. a perfect fit for your mamas friend wouldnt you say? the no district label chief delivers a trio of treats in the form of his bound in binary ep

a made up sound aka 2562 and dexter deliver two remixes for arttu featuring jerry the cat. nuclear funk and get up off it get transformed from raw chicago influenced cuts into darker electro/techno hybrids by these two dutch techno wizzards. both known for their sharp productions that cross over between techno, electro and bass music they have a fresh take on the original versions. by the choice of remixers we didnt expect the standard house remixes, something more challenging would fit the spirit of the originals. this remix 12 inch might be is somewhat of a dark horse in the house orientated clone royal oak catalogue, but expectations are to there be messed up.

straight from germany, this talented producer delivered some of the best deep house music around. entitled >the first floor ep<, it starts with >show me< which is one of those eminently soulful house tracks with a sparse approach to production, all the elements sounding so crisp and distinct in the mix but judged perfectly. whilst >rooted< is a louche head nodder supreme. on the flip side, with >got that< hes creating an all-enveloping atmosphere with its oven-warm pads and rich analogue bass, punctuated with jazzy chords and vocal murmurings. >defense< showcases hes excellent knack for crafting moodymann style textures with the depth to boot, combining a solid rhythmic snap with drawn out vocal landscapes and detroit-referencing melodies. and to last,>trouble< is all brisk, upright percussive layers splayed over swooping disco filtration. nicks approaching house from various angles and tempos and naturally theres plenty of deft usage of samples, such an ep just demonstrate how on top of their game skylax / wax classic is right now - big tip!

martin brodins second single from the forthcoming album which is due for june 2012. it follows the successful badabing which featured diskjokke as remixer. strings attack is all about the strings for disco. ok,now you may think he gone all cheesy here, but that’s totally wrong.it still have the funkyness and groove it needs to be a full-fledged disco anthem in our ears. and we invited two of the most prolific producers out there to make this a rock solid release. switzerlands finest, headman (robi insinna), who we all know from his own relish label and releases on gomma. he turn the original to an uber-cool bass-laden track and makes it a bit more in-your-face to speak, while the original is a bit more freestyle. second out is spanish born ilya santana with his funky mellow take. its a perfect remix for those beach parties we all love.

following last years triumphant debut on untolds imprint hemlock, brighton based producer guy andrews is back with his first 12 inch for hotflush recordings. a superb followup to his 2011 auditory missive, the wait / hands in mine merges percussive elements with heavy basslines resulting in two dark dancefloor cuts. shuffling and persistent, side a is bass-driven track filled with arpeggiated goodness, while on the flip, andrews shows off his ability to manipulate genres by using a bass kick and frenzied rhythmic percussion to dial up an atmospheric tune. with recent acclaim from xlr8r, resident advisor and truants along with dj and radio support from the likes of benji b, l-vis 1990, brackles, sound pellegrino, shortstuff, benjamin damage and throwing snow, guy andrews is on the rise. lookout for another 12 inch via hotflush this fall.

dj support from. dj koze, scuba, peason sound, maya jane cole, craig richards, untold, midland, mosca, ame, dexter, sven vath, agoria, jackmaster, george fitzgerald, paul woolford, will saul, comix, carl craig! the third release from mysterious double act dense & pika sees them returning to the more low slung techno vibes of their first release. 31 is a slow burner, submerged beats shuffle along before the tracks off kilter millsianesque riff is introduced which gradually oscillates in intensity throughout.a truly heady experience all wrapped up in d&ps super skilled production, it was a feature in jackmasters recent ra podcast and has gained further support from a wide range of djs from dj koze to sven vath. flip sides bad ink ratchets up the tension with a serious warehouse style jam, big booming cavernous kicks and twisted fx stamp their mark before dropping into a raw melancholic bass riff that takes the track to epic heights

what is techno is the first single to be taken from techlegend in the makin florian meindls long awaited debut album waves (1-12)inch, due for release soon on his very own flash recordings. what is it techno? what is house? good question and its the doubt that drives you on the dancefloor. florians original is perfectly crafted deep groovy tech. a delicate melody belies the raw power, generated here by the growling bass and drum line. ramping up the filth factor and still riding high from the release of their second city ep are boys noizes, shadow dancer. matching detroit synths with sinister bubbling acid the manchester duo create a beast of a mix that also displays an equal amount of beauty.

thinking too much/where the helios is juk juks second release on nommos. thinking too much is the most direct juk juk release so far. its peak time fare, aimed squarely at the dancefloor. the dreamy intro will fool the unsuspecting, sucking them in and propelling them on a tripped out ride on a techno ghost train, buffered by a cushion of warm throbbing bass. where the helios is the real dream side. a floating, hallucinogenic, spaced out drift, driven by a crisp, pared back rhythm and a gorgeous, woozy vocal- led melody. juk juks first release for nommos was unwrap/fall and before that his debut, winter turn spring/frozen, was put out by kieran (four tet) hebden on his highly regarded text label. all juk juks output to date has been critically acclaimed, coverage including fact magazine, pitchfork, mix mag, abeano, the fader amongst others. his releases have also received significant club and radio plays including mainstream radio 1 support from admirers giles peterson and rob da bank, who has promised support for this release. four tet said the room went off when playing thinking too much at a recent event.

smackdown recordings sets the pace for 2012! just only 1.5 month after the previous heavy hitter by cooh and counterstrike they present the i:gor:this is what i am ep. long and awaited tracks in the making makes this one is a guaranteed heavy hitter. the a-side features the hit:this is what i am which makes any dance floor burn down till the ground. the b-side contains the famous track: coretoon, a beloved track by the hardcore audience. other tracks on this ep are 4 fuck sakes and ofiomerfus. smackdown keeps setting the tone with original releases and the 4th release offers a great combination between hardcore and drum & bass. must buy release for every i:gor and smackdown fan!

ss004 fuses 128 bpm house and techno with elements of uk bass, while taking cues from cajmere and chicago. brawther:excellent release 5/5 definitely a record that will stand the test of time.

with additional supporters ranging from riton, sinden, fake blood, harvard bass and even skrillex, were very happy to be able to present a full ep from john roman on lektroluv!

fresh out of melbournes reputed house scene, the tortoise is one of the hottest talents to emerge from the current wave of house breaking down under. a side the puffing tortoise captures the 21-year-olds precocious talent and aims it squarely at the peak time. working his trademark airy vocals around a familiar disco refrain and bubbling bass, he works the track into a sweaty climax and skilfully keeps it there throughout the midsection. turning in a late night chugger on their remix, berlin based canadians the mole and hreno ride an insistent pulse and insect like percussion. twisting the samples, they guide the track into a dark jungle of chattering sounds to temper the tortoise youthful exuberance. the analogue melancholy of keep on keepin on is all in the sweeping synths and twinkling effects. recoiling the tension, the chicago influenced track seeps through the speakers and will sound as good at home as it will during specially chosen dancefloor moments. rondenion approaches the title track with fearless disregard for the original, combining the swelling tortoise sound with something entirely his own. his addition of a funk fuelled midsection, really breaks the track down and adds another slice of character to an ep already brimming with it.

saulty and bradka, the two behind vilnius based downtown party network tag team, combine together more than 10 years of dj and production experience. their original productions have been signed by eskimo, loud east, bear funk. their remix work has been commissioned by pete herbert, kolombo, main stem, deadstock 33s, tj kong & nuno dos santos and even sander kleinenberg. their gig geography ranges from london to dubai. which doesnt give even a tiny shadow of doubt on their musical credibility and ability to rock the party. here they deliver the first single of another kind for best kept secret - killer bass line combined with irresistible jazz chords on a side and some metro areaish stripped down funkiness on b side. dance music machinery at its best. best kept secret - hidden sounds of vilnius house scene uncovered & presented by vidis.

the third installment in the cobblestone jazz 12? series brings two more tracks. on the a side we find whos future?. full of bubbling elastic bass and deep chord swells, its a laidback affair with a snappy groove to push it along. on the flip is across the nation, a stripped out and up-tempo electro jam with crisp breaks and gated pads. all the elements mingle together to create a thick bed of future funk. another wheel for your wagon.

apartments 3rd release comes courtesy of acclaimed producer lerosa. for this, his first release of 2012, he delivers 4 electro-based cuts, a rarely seen side to the man predominantly known for his house productions. the sparse and melancholic combat starts off proceedings, before titaniums throbbing bass, combined with mr. rosas unique melodic sensibilities, increases the pace. on the b-side slavery is a furious acid jam, constantly rising in energy over hectic percussion and a wall-shaking electro beat. finishing on decisions, the pace is reduced considerably while the acid stays intact, delivering the 12 inchs only 4/4 kick for what is lerosas most euphoric cut to date.

sun is shining, people smiling! just in time for the spring/summer stranjjur delivers a nice sweet sampler made for open airs. maya jane coles, nic fanciulli, sasha, droog, m a n i k and my favorite robot already supporting. nycs stranjjur imprint serves up an eclectic, assorted variety of dancefloor candy from its forthcoming mix compilation, featuring some of the hottest artists around at the moment. whether it be the melodic and climatic >visions< from lula circus, or the party rockin >so fine< from hot creations and no.19 artist miguel puente, the a-side is sure to rock the party proper. the b-side aims toward the tougher dancefloors, as bass cultures john dimas drops the acid-tinged dancefloor bomb, >dont stress me<, and the release is capped off by the deep and chugging >down from earth< from cosmic cowboys.early support coming from maya jane coles, sasha, nic fanciulli, manik, dave seaman, and more.

with back-to-back singles on millions-of-moments, and contributions to a number of bass related compilations, lostlojic now joins the ranks of phuture shock musik to kick off the labels first release of 2012, entitled >she s special<, a heartfelt garage cut that rides the fine line between introspective home listening and dancefloor immediacy. the single is backed with remixes by opr8 and troy gunner.

fly away is their debut release for leng and, at 16 minutes, is as long as it is mesmerising with it s lazy afro quality. full of analog instruments, guitar, bass, synths and percussive sounds create a dirty but unique window into the unusual minds of the mushrooms and has set the standard for their future releases.

vinyl only ! yeah !!!
since october and their 1st ep leif/mariam by konstantin sibold played a lot particulary by move d in several podcast. caramelo is back this spring with a special new one ! caramelo met a secret new comer from vienna in house scene : wasnme. wasnme gave here 3 exclusively tracks ! on a side you find >standing hi< a sweet balearics melody following by a groovy bassline and deepy synths. the 2nd on this side is >aleks< (short mix) produced by our friend from rocker 33 in stuttgart : konstantin sibold ! with an old school chicago style and such a groove who gave a touch of class ! on the flip, >whatever< bring a good moody atmosphear, a kind of detroit here ! >we are puttin it mathematically< is the good conbination of some synths seems to be from detroit and an intensive bass who never end. spring time you said ? summer time indeed !

will azada is back for his third appearance on proper trax, and his first solo 12 inch, with the appropriately titled strictly heat. drawing from the success of the labels split personalities ii, his collaboration with piltdown sound on the wet feet ep on woods n bass, and >easy does it< on the newly-minted mystical disco imprint, will azada continues to draw attention to his diverse style with three floor-torching cuts on proper-003. from the driven, hands-in-the-air piano house of >pump that shit<, to the queasy chords of the unconventional, yet highly mixable >drunk sequence<, to the relentless, searing arps of >for the floor<, strictly heat is likely to induce near-strokes on dancefloors globally. other info: marbled color vinyl, red jacket, black sleeve, 200 copies available.

when they are not remixing the likes of example, tinie tempah and avicii, or hosting bbc 1xtras d&b mix show dc breaks are busy making dance floors the world over quake in fear. their subwoofer-worrying, rib-rattling approach to writing drum & bass with a melodic spin has earned them a position as true leaders in the genre. all made the more potent as they unleash another immense release on the ram records imprint.

nice price deal !!! vladivostok lad eastcolors is probably most well-known within the dnb community for his mixes and for his collaborations with enei and nuage. as far as modern drum and bass is concerned eastcolors is at the forefront of that techy, fresh sound emanating from eastern europe and russia. with this in mind then, it is clear that while his tunes fuse well with his fellow russian drum and bass cohorts, eastcolors is making a departure from collabs. what better way to celebrate demands tenth release then, with eastcolors settings about placing his name upfront and alone with his first ever solo 12 inch. on the flip >heavy tone< rumbles forth with a typically eastcolors take on what a roller should be. lenzman-esque synths and strange, celestial vocals are quickly worked over by an electrical storm of droning bass and pads. as the synths return to break up the clouds here and there, >heavy tone< loses the idea of becoming another lost bass-heavy roller and settles into being a multi-layered piece of quality drum and bass.

here is the 10 inch vinyl only release from plan bs very own dakini9. she delivers two ultra-deep, emotional tracks filled with hypnotic synths & warm bass tones without overdoing it, but giving you much more to digest throughout multiple listens. a must have for any fan of her work or of the plan b recordings massive catalog.

thieveland jams … thug records next 12 inch presents a new 4 track e.p from one of the undergrounds commanding lieutenants, jeff samuel. named after his hometown of cleveland ohio, the thieveland jams e.p hits hard with 4 hammer minimal house jackers. punchy bass, looped up percussion and jazzy chords sit tightly against the back drop of jeffs signature soundscapes. a seminal house & techno artist, jeff samuel has a back catalog of street ready bombs on some of the most respected labels worldwide including spectral sound, logistics, trapez, poker flat and dan bells legendary 7th city. not much else needs to be said really … hope you dig the tunes as much as we do!